Tony Leung Ka Fai： An actor who doesn’t want to be a performer is not a good winner.

　　From the heroic police elite in the first film "Chill" to the anti-hawk who can’t distinguish good from evil in "Chill 2", Tony Leung Ka Fai has contributed a textbook-like acting skill to the movie fans. Outside the camera, all the reporters who interviewed him said that when interviewing Tony Leung Ka Fai, they should be extremely energetic, because he is talkative and humorous, and you will be taken away by him if you are not careful, whether it is the story in the movies or the jokes thrown out casually. Everyone who comes into contact with Tony Leung Ka Fai will be impressed by him.

　　The King of Thousand Faces on "The Self-cultivation of the Film Emperor"

　　Tony Leung Ka Fai has always been recognized as the spokesman of China acting school. The Golden Elephant, Golden Horse and Golden Horse, won the award in the 1980s and 1990s, and in the 00s and 10th of this century, he connected the whole film history of China with several trophies and countless roles. And all this is inseparable from his tempering of acting skills. When the reporter mentioned the past when he wrote a 100,000-word character biography for the role of acting, he smiled and shook his head: "Not every time! Isn’t it exhausting to write so much every time? " However, he also mentioned that he would study every role of himself carefully, and this time, the role of Li Wenbin was no exception. In his eyes, Li Wenbin’s personality is too strong-willed, and there is no wife role in both films. Either death or divorce will definitely affect his personality. So when Aarif Lee took him back for investigation, the head of ICAC came out and laughed: "I’m sorry to invite you so late, did you disturb your family?" Tony Leung Ka Fai said: "When I heard this sentence, my anger suddenly rose. I said to myself, you son of a bitch clearly knew that I was the only one in my family, and you said that you did not disturb your family. This made it clear that you were entertaining me! So I didn’t hear what Aarif Lee said at that time, just stared at the actor who played the boss. "

　　After devoting himself wholeheartedly to the role, meeting the director’s requirements is what he thinks is qualified. Whether it is successful or not should be handed over to the audience: "For example, in" Chill 2 ",in my eyes, all Li Wenbin’s actions are in line with his own heart, and whether he is right or evil is up to the audience to judge." It is precisely because of this that he wants the audience to remember each character instead of himself: "If the audience sees me and shouts my role instead of my name, I will be very excited." When the reporter reported to him the big D, Ren Yinjiu … … When waiting for his name, he was particularly happy: "It’s not Huang Yaoshi, great, don’t sing" Flying Swallows "anymore!"

　　"I hope mainland films can learn from Hong Kong’s film experience and attract new people."

　　When interviewing two directors in Lok Man Leung and Kim-ching Luk, they specifically mentioned one point. Tony Leung Ka Fai specially asked them: "Can my son send me a pair of glasses?" Then Tony Leung Ka Fai explained that this can strengthen the interaction between father and son, and also strengthen the process of Li Wenbin’s role change. The two directors listened to his advice, so in the movie, this pair of glasses also became an important prop: at first, he wore a pair of glasses with frames, and later he changed into rimless glasses given to him by Eddie Peng Yuyan. When he officially "jumped back" in court, he took off his glasses and wiped them slowly, symbolizing that he had changed from being disciplined to reckless. And Eddie Peng Yuyan is especially grateful to "Jiahui daddy" for his help: "He also added the scene of father and son parting. At that time, he gave me a very fatherly look, and I was immediately moved. There is no need to act at all, and the feeling between father and son comes out. "

　　Yang Shining is also very grateful to Tony Leung Ka Fai for his help. According to him, the scene of supermarket confrontation in the second half of the movie was also added at the suggestion of Tony Leung Ka Fai, and the opposite scene with no lines and full eye contact became the most tearful place in the whole movie. Tony Leung Ka Fai showed a sense of responsibility for the film as to why he cared so much for these young actors: "I personally experienced the golden age of Hong Kong film, but it has passed. I hope that mainland films can learn from the experience and lessons of Hong Kong films, because we have not trained the second echelon well, and only a few directors and actors come and go. So for these young actors, we should love them and help them at the same time, so that China’s films will be more powerful! "

　　Not only the best actor, but also the actor.

　　Tony Leung Ka Fai in the movie, whether it’s comedy or drama, whether it’s decent or villain, is like a duck to water, while Tony Leung Ka Fai outside the camera is an old friend who is cheerful, talkative and humorous. In Jin Yong’s novels, he played Huang Yaoshi in ashes of time and Dongcheng Xijiu, but in real life, he was Zhou Botong.

　　Many people are deeply impressed by his enthusiasm. Eddie Peng Yuyan, the "pro-son", said: "He is like an assistant director at the scene. He does everything by himself, whether it is lighting or audience sitting. When he sees someone who is too busy, he will help him. With him, everyone’s efficiency is particularly high." Yang Caini, on the other hand, personally felt his gentlemanly demeanor: "We girls often wear high heels when filming, and we stand for a long time, but we don’t feel it when acting. After the performance, we find that our legs are paralyzed. Brother Hui often reminds me and pushes a chair to let me sit quietly. Many times he takes care of the people on the scene in this way. "

　　When doing these things, he will be very happy, and in interviews, he often picks Ye Fei flowers and makes jokes. When a reporter said that he was particularly handsome in a suit, he accepted it all: "Of course, who made me in such a good shape?" When the reporter talked about the verbal battle scene of "Chill 2", he solemnly apologized to Aaron Kwok: "I hit you on the head, I’m sorry, I’ll be more involved and hit harder next time!" When I mentioned the years when I couldn’t act for a long time, the reporter complained for him, but he laughed himself: "Where is the hard work of setting up a stall?" At that time, the stamps printed on the things I sold were all designed by myself and carved little by little. Passers-by often recognize me and buy my things to make a lot of money! Moreover, I also knew many neighborhoods at that time. Later, I started acting, and many of them were imitating them, so I played so well! " Every time I see a reporter being teased by him, he laughs with a special sense of accomplishment. This unparalleled affinity makes everyone who comes into contact with him feel like a spring breeze, which is why some people conclude that every dictionary should have a photo of Tony Leung Ka Fai next to the word "charm".